A garden for a young professional couple in North London, who commute into the city every day and enjoy their outdoor space but have little time to look after it.
January 2020 – Winter was once the final frontier for garden folks. The cold season just meant leafless shrubs, perennials cut back to the ground, and muddy borders. Of course you could always count on holly, yew and various conifers for greenery and structure. The odd Christmas rose would bring a bit of colour until the first snowdrops popped up, along with winter aconites, followed by crocuses heralding the imminence of spring and a return to floriferous times. But mostly, in winter, gardens went into hibernation.
Not anymore. In the past couple of decades or so, gardeners and landscape designers have started thinking positively beyond flowers. In a growing number of gardens, winter now involves not only winter-flowering shrubs but also colourful barks, shapes and textures, providing a new kind of year-round interest. The Savill Garden, a self-contained area in Windsor Great Park, provides, to my mind, one of the most varied examples of this new outlook, with colours flashing from stems, twigs and grasses in unabashed exuberance.Continue reading “The Savill garden: redefining the winter frontier”
February 2019 — A sharp breeze sweeps across the hill, ruffling the silver-green eucalyptus grove in the distance. It forcefully combs the grasses and buffers the young monkey-puzzle trees that are dotted around the meadow. The air is crisp and the sky is clear. Apart from the hissing of the wind in the branches, there is barely a sound. Gondwanaland, on the western fringe of the Marks Hall estate, feels a bit otherworldly.
February 2019 — Search for ‘Betula jacquemontii’ on the internet and the chances are the first page of results will include several pictures of the white birch grove at Anglesey Abbey. It’s a testament to the garden design team that, despite the internet’s ability to warp our perception and unrealistically heighten our expectations, this should still be a striking sight when you eventually see it in real life. Continue reading “Anglesey Abbey: kingdom of stems and scents”
Catching the last glimpse of autumn at Europe’s largest Japanese gardens in Maulevrier, France. Continue reading Last days of autumn in the Japanese garden
Liberty director Martha Spurrier talks to Jean-Yves Gilg about how the Human Rights Act has changed English law for the better, giving judges a unique tool to set aside incompatible domestic laws. Continue reading Martha Spurrier: The mundane everyday usefulness of human rights laws
Lord Neuberger talks to Jean-Yves Gilg about bringing the common law back to the forefront and about the infamous ‘enemies of the people’ headline. Continue reading Lord Neuberger: Bringing the common law out of the shadows
Beaufort-en-Vallée, September 2016 — Beaufort’s Joseph Denais museum, in western France’s Anjou, is a survivor. Built in 1905, it has the proud resplendence of a turn-of-the century post-industrial-revolution institution whose ambition was to enlighten the local community. These days, with its collection of stuffed animals, Egyptian sarcophagi, Japanese porcelain and impressionist paintings, it has the charming incongruity of a life-size cabinet of curiosity that has miraculously made it into the 21st century.
Maria Alm, Feb. 2015 – The western face of the Hochkönig is a steep expanse of snow and rock. “The refuge is up there on the right,” says the waiter pointing to the ridge of the peak that gives its name to the ski area south of Salzburg. We frown and squint through the restaurant’s floor-to-ceiling window but all we can see is a vertiginous cliff face. Continue reading “Fit for a king: skiing the Hochkönig area”
Innsbruck, October 2015 – The tiny balcony protruding on the west side of the Theresien Kirche, in Innsbruck’s Hungerburg suburb, is one of the few external ornaments on the austere 1930s church. Its shadow, already long at nearly 4pm, gives fleeting depth to the plain off-white wall. Inside, the afternoon sun glides over the simple benches and lights up the post-war frescoes painted by Austrian artist Max Weiler in 1945.