February 2019 — A sharp breeze sweeps across the hill, ruffling the silver-green eucalyptus grove in the distance. It forcefully combs the grasses and buffers the young monkey-puzzle trees that are dotted around the meadow. The air is crisp and the sky is clear. Apart from the hissing of the wind in the branches, there is barely a sound. Gondwanaland, on the western fringe of the Marks Hall estate, feels a bit otherworldly.
February 2019 — Search for ‘Betula jacquemontii’ on the internet and the chances are the first page of results will include several pictures of the white birch grove at Anglesey Abbey. It’s a testament to the garden design team that, despite the internet’s ability to warp our perception and unrealistically heighten our expectations, this should still be a striking sight when you eventually see it in real life. Continue reading “Anglesey Abbey: kingdom of stems and scents”
June 2015 — It’s early June at Chaumont-sur-Loire’s annual garden festival, and one of the 26 gardens created around this year’s theme, ‘A Collector’s Garden’, is already getting more attention than others.
From afar, Nuances, a garden created by two Belgian landscape-architects, looks like a large hyper-realist photograph in a modern museum: bright flowers and lush green leaves set in a pure white frame on a pure white wall. A few cardoon leaves flow out towards the viewer, like an 18thcentury Dutch painting within a painting. The blues of the lupins, campanulas and delphiniums are so intense they look like an over-saturated print.
That day, everybody wants their picture taken in front of this live still-life. A few weeks later, as the holiday season begins, Nuances has become the face of Chaumont in all the magazines and TV programmes covering the festival.